The sleeper hit of 1965, CAT BALLOU was declared an instant classic when its sly blend of Western parody and rapid-fire action hit the screen. Lee Marvin won an Oscar(r) for Best Actor in his dual role as both Tim Strawn, a noseless ("it got bit off in a fight") gunslinger, and as Kid Shelleen, the woozy, boozy, has-been who goes up against Strawn at high noon. In accepting the award, Marvin said, "I think half of this belongs to a horse somewhere in the Valley," referring to the hilarious scene where Marvin and the horse both lean against a shed in a drunken stupor (certainly one ofthe most famous sight gags ever). Jane Fonda, at the height of her sex-kitten period, stars as Catherine "Cat" Ballou, the schoolmarm-turned-outlaw who teams with Kid to protect her father's ranch from a greedy railroad tycoon. Filmed in just 32 days, CAT BALLOU went on to become one of the biggestbox office hits of 1965, proving the popularity of the Western spoof. Singer Nat King Cole and comedian Stubby
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The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store)
Manufacturer: Warner Home Video
Brand: Warner Brothers
Marx Brothers Collection (DVD) (5-Pack) When it comes to long-awaited treats like The Marx Brothers Collection, you can never get too much of a good thing. These seven comedies can't compare to the sheer lunacy of the five classics (The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, and Duck Soup) that the Marx Bros. made for Paramount between 1929 and 1933 (available in The Marx Brothers Silver Screen Collection), but when uber-producer Irving Thalberg signed Groucho, Harpo, and Chico to an MGM contract in 1935 (by which time sibling costar Zeppo had become the team's off-screen manager), he knew just how to cure their box-office blues. As a result, A Night at the Opera and A Day at the Races were critical and commercial hits, lavishly produced according to the "Tiffany" studio's golden-age formula of glamorous set pieces and musical numbers combined with sensible plots that smoothly integrated snappy, well-written Marxian antics. Opera is the jewel of this set, with timeless scenes (the Stateroom, the Groucho-Chico contract negotiation, etc.) that rank among the greatest bits of silver-screen comedy... not to mention Groucho's flirtatious insults at Margaret Dumont's upper-crust expense. A Day at the Races deserves near-equal acclaim ("Get-a your tootsie-fruitsie ice cream!"), but Thalberg's death in 1937 dealt a devastating blow, and the Marxes suffered from studio indifference, resulting in a succession of comedies that are timelessly enjoyable even as they ...