This wonderfully innovative and exceptionally sexy drama has an infectious energy and a completely unique aesthetic as it tells a classic story of lust becoming love and then some. Tanner Cohen (Were The World Mine) returns to the big screen as a college boy named Doc who cruises a gay go-go boy named Go (Matthew Camp) with the pretense of making a documentary about him.
Blaming herself for a tragic accident, Raven Michaels (Dreya Weber, "The Gymnast") secludes herself at a remote family cabin. On the verge of a breakdown, she wanders into the woods searching for peace. Meanwhile, in a last-ditch effort to save her family, Kate Royce (Traci Dinwiddie, "the Notebook") takes her two teenagers camping in order to distract them from technology and young romance. When Raven and Kateâ€™s worlds collide, they offer each other unexpected opportunities for love and healing.This special DVD edition comes with bonus features including extended scenes and an exclusive making of "Raven's Touch" featurette.When sold by Amazon.com, this product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
From the director of â€˜Hedwig and the Angry Inchâ€™ comes SHORTBUS, an exploration into the lives of several characters living in present-day New York as they navigate the comic and tragic intersections between love and sex. Male and female, straight and gay, the characters find one another â€“ and eventually find themselves â€“ when they all converge at a weekly underground salon called "Shortbus," a mad world of art, music, politics, and polysexual carnality. One of the true sensations of this yearâ€™s Cannes Film Festival, presents sex and sexuality as never before seen in mainstream entertainment, and promises to be one of the most talked-about films for months â€“ and years â€“ to come. In his aim to make an honest film about sex, John Cameron Mitchell (Hedwig and the Angry Inch) has taken a somewhat documentary approach to Shortbus, a film describing various New Yorkers' sexual pathos. Framed by shots roving a homemade diorama of the city, Shortbus is comprised of vignettes featuring actors who helped craft this story of people's disconnect in sexual endeavors. Jamie (PJ DeBoy) and James (Paul Dawson), a gay couple experiencing a lull in their relationship, visit Sophia (Sook-Yin Lee), a sex therapist whose inability to orgasm results in her clients inviting her to a sex club after which the film is titled. Sophia's husband, Rob (Raphael Barker), is also willing to experiment, so the two independently embark on adventures in self-pleasure. Dominatrix Severin (Lindsay Beamish) plays a crucial role in Sophia and Rob's lives, as her search for real humanity overlaps with their desire for passion. As each character's plot complicates, the viewer sees a similar melancholy bulldozing its way into these seemingly disparate lives. The depression is repeatedly used in comedic scenes, such as when James is asked on a date while still hospitalized for his attempted suicide. Yo La Tengo's score, which includes Animal Collective among others, lends this film a graceful ambience. Unlik...
Unresolved romances and a long-simmering film project finally bear fruit in the fifth season of THE L WORDr. Dreams come true and new life paths are forged for many of the series' characters this year, but not without the The L Word's trademark provocative storylines, sizzling sexuality, and heart-rending emotion. In a clever move, the producers of The L Word use season five to revisit the origins of their own creation. After Jenny (Mia Kirshner) sets out to direct the silver-screen edition of her novel, Lez Girls, she enters a parallel world populated by actors playing thinly-veiled versions of the central cast (in a typical Jenny move, she sleeps with the star who portrays "Jesse"). This post-modern plotline brings newcomers up to speed, while offering early-adapters new perspectives on the past. Naturally, the shoot doesn't go smoothly. When the increasingly self-absorbed Jenny hires adoring fan Adele (ER's Malaya Rivera Drew) as her assistant, events take on All About Eve overtones. Since Jenny is turning her life into a movie, it only makes sense for the two to bleed into each other. In other developments, Tina (Laurel Holloman) and Bette (Jennifer Beals) consider reconciliation, Helena (Rachel Shelley) does time in prison, Alice (Leisha Hailey) takes her penchant for gossip too far, Tasha (Rose Rollins) fights to stay in the military, and Shane (Katherine Moennig), a dead ringer for Warren Beatty in Shampoo, rejoins the ranks of the single, only to fall for straight girl Molly (Cybill Shepherd's daughter, Clementine Ford). In a more melodramatic, but equally entertaining move, Dawn Denbo (Elizabeth Keener), proprietor of new hotspot SheBar makes life hell for the Planet, but Kit (Pam Grier) and her loyal clientele refuse to go down without a fight--even if they don't offer "Lesbian Turkish Oil Wrestling." Aside from the fact that Max (Daniela Sea) continues to get short shrift, The L Word's fifth year proves the show has more than a little lusty and gutsy life left in it, and was renewed for a sixth seas...
Season OneThey're here, they're queer, and they make Sex and the City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries--pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart--centering on a group of gay friends living in a primarily industrial city--but after that, all bets are off. Whereas the British version focused on the gritty, realistic drama of its characters, the American QAF is a glossy, fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party, and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-door Michael (Hal Sparks), ruthlessly seductive rake Brian (Gale Harold), out-and-proud Emmett (Peter Paige), wallflower Ted (Scott Lowell), and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy), others were quietly affecting, including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters), but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys! --Mark EnglehartSeason TwoThey're still out and proud, and in their second season the boys (and girls) of Queer as Folk continued to break ground as the most gay-friendly show on television (sorry, Will and Grace). Some plot lines were a little over the top, others truly heartfelt, but they were never less than entertaining, even during their All My Children moments. Season two opened in the aftermath of the gay-bashing of Justin (R...
Manufacturer: Wolfe Video
Brand: WOLFE VIDEO
This hilarious road movie co-stars Oscar-winning actresses Brenda Fricker and Olympia Dukakis as Dot and Stella, a crackerjack lesbian couple on the run from a nursing home. You ll laugh so hard you ll cry. Stella and Dot have been together for 31 years and have faithfully accompanied one another through life s ups and downs. Now in their seventies, Stella is hard of hearing and Dot is legally blind. Dotty s prudish granddaughter, Molly (played by Genie Award-winner Kristin Booth), decides the best place for Dot is a nursing home that will provide all the necessities. This forces Stella and Dot to make a bold decision: they will leave their hometown in Maine and make their way to Canada, where same-sex marriage is legal. It s a last-gasp bid to stay together. En route to Canada, they pick up a young hitchhiker, Prentice, played by newcomer Ryan Doucette. A small-town boy turned modern dancer, he is returning to Nova Scotia to visit his dying mother. Despite his bravado, Prentice is a confused and wounded soul who has much to learn from Stella and Dot as they wage their own unexpected battle after three decades, can they keep their family together? BONUS FEATURES- Featurettes, Trailer, More from Wolfe
A comedy about a conservative mom who is horrified to discover that her only son is gay. But determined that he won't go through life alone, she sets out to find him the perfect husband.
Winner "BEST PICTURE" at nine film festivals, plus awards for "BEST SCREENPLAY", "BEST ACTRESS", "BEST SUPPORTING ACTRESS", and "BEST DIRECTOR"
"This is the best gay comedy I've seen in years."Â
"This movie is flat-out funny, whether you're gay or straight."
"Boy this movie was a laugh riot! ... This is one of the sweetest and funniest movies in gay cinema that I have seen."
--Movie Reviews: Gay Themed
"I haven't laughed out loud this much at a film in years."
--Gay Marriage Watch
THE L WORD Season 4 picks up with the women wrestling with issues close to their hearts. As with previous seasons, old demons rear their ugly heads and a host of new characters are brought into their fold, offering them access to a broader community with diverse issues. THE L WORDÂ® stars Jennifer Beals, Leisha Hailey, Laurel Holloman, Mia Kirshner, Katherine Moennig, Dallas Roberts, Daniela Sea, Rachel Shelley, and Pam Grier. Newest additions to the cast include Cybill Shepherd, Marlee Matlin, Janina Gavankar and Rose Rollins. Special guest stars are Rosanna Arquette, Eric Roberts, Bruce Davison, Kristanna Loken and Jane Lynch. This season, the war in Iraq becomes an integral part of Alice's (Hailey) life as she struggles to move on after the death of Dana; Helena (Shelley) tries to find financial independence and come to terms with leaving behind a world of privilege; Phyllis Kroll (Shepherd) -- who takes the courageous plunge late in life to come out of the closet -- risking everything that has defined her life up to now; and, Bette (Beals) has to deal with Jodi Lerner (Matlin), a woman who confronts her head-on about her Type-A personality. If the third season was marked by transitions, The L Word's fourth concerns growing up--or trying to, at any rate. Shane (Katherine Moennig) becomes her brother Shay's guardian, Bette (Jennifer Beals) and Tina (Laurel Holloman) stop fighting over their daughter Angelica, and Bette's new boss, Phyllis (a very game Cybill Shepherd), decides it's time to embrace her true nature. So, after 25 years of marriage (Bruce Davison plays her husband), Chancellor Kroll comes out of the closet--and sets her sights on Alice (Leisha Hailey). For all the inclusiveness, Max (Daniela Sea), still remains on the margins. Dumped by Jenny (Mia Kirshner) the year before, Max continues to share her apartment while acclimating to life as a man. For those who felt season three was too dark, four offers a welcome corrective. There's still plenty of angst--Jenny's memoir meets with a few negative n...